stdClass Object
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    [ID] => 5548
    [post_author] => 6
    [post_date] => 2015-02-25 16:57:17
    [post_date_gmt] => 2015-02-25 16:57:17
    [post_content] => They see me always as a flickering figure
on a shilling screen. Not real. My hands,
still wet, sprout wooden pegs. I smell the apples
burning as I hang the washing out.
Mummy, say the little voices of the ghosts
of children on the telephone. Mummy
 
A row of paper dollies, clean wounds
or boiling eggs for soldiers. The chant
of magic Words repeatedly. I do not know.
Perhaps tomorrow. If we're very good.
The film is on a  loop. Six silly ladies
torn in half by baby fists. When they
think of me, I'm bending over them at night
to kiss. Perfume. Rustle of silk. Sleep tight.
 
Where does it hurt? A scrap of echo clings
to the bramble bush. My maiden name
sounds wrong. This was the playroom.
There are the photographs. Making masks
from turnips in the candlelight. In case they come.
 
Whoever she was, forever their wide eyes watch her
as she shapes a church and steeple in the air.
She cannot be myself and yet I have a box
of dusty presents to confirm that she was here.
You remember the little things. Telling stories
or pretending to be strong. Mummy's never wrong.
You open your dead eyes to look in the mirror
which they are holding to your mouth. 
    [post_title] => Whoever She Was
    [post_excerpt] => 
    [post_status] => publish
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    [post_name] => whoever-she-was
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    [post_modified] => 2019-04-04 10:51:42
    [post_modified_gmt] => 2019-04-04 10:51:42
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    [post_parent] => 0
    [guid] => http://poetrysociety.org.uk.gridhosted.co.uk/?post_type=poems&p=5548
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    [post_type] => poems
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        (
            [wpcf-published-in] => 
            [wpcf-date-published] => 1983
            [wpcf-summary-description] => 
            [wpcf-rights-information] => 
            [wpcf-poem-award] => 1st Prize, National Poetry Competition 1983
            [wpcf_pr_belongs] => 
        )

    [poet_data] => stdClass Object
        (
            [ID] => 5550
            [forename] => 
            [surname] => 
            [title] => Carol Ann Duffy
            [slug] => carol-ann-duffy
            [content] => Carol Ann Duffy is a Scottish poet and playwright who was appointed Britain's Poet Laureate in 2009. She is one of the UK's most well-known and successful contemporary poets with numerous poetry collections to her name, including Standing Female Nude (1985), Mean Time (1993), The World's Wife (1999) and Rapture (2005). She has won many awards for her work including the T.S. Eliot Prize, the Whitbread Poetry Award and the Forward Prize. She won the 1983 National Poetry Competition with her poem 'Whoever She Was'. Her poetry is studied and set for examinations in schools throughout the UK and she has also published and edited collections for younger children.
        )

)
stdClass Object
(
    [ID] => 5550
    [forename] => 
    [surname] => 
    [title] => Carol Ann Duffy
    [slug] => carol-ann-duffy
    [content] => Carol Ann Duffy is a Scottish poet and playwright who was appointed Britain's Poet Laureate in 2009. She is one of the UK's most well-known and successful contemporary poets with numerous poetry collections to her name, including Standing Female Nude (1985), Mean Time (1993), The World's Wife (1999) and Rapture (2005). She has won many awards for her work including the T.S. Eliot Prize, the Whitbread Poetry Award and the Forward Prize. She won the 1983 National Poetry Competition with her poem 'Whoever She Was'. Her poetry is studied and set for examinations in schools throughout the UK and she has also published and edited collections for younger children.
)

Whoever She Was

Carol Ann Duffy

They see me always as a flickering figure
on a shilling screen. Not real. My hands,
still wet, sprout wooden pegs. I smell the apples
burning as I hang the washing out.
Mummy, say the little voices of the ghosts
of children on the telephone. Mummy
 
A row of paper dollies, clean wounds
or boiling eggs for soldiers. The chant
of magic Words repeatedly. I do not know.
Perhaps tomorrow. If we’re very good.
The film is on a  loop. Six silly ladies
torn in half by baby fists. When they
think of me, I’m bending over them at night
to kiss. Perfume. Rustle of silk. Sleep tight.
 
Where does it hurt? A scrap of echo clings
to the bramble bush. My maiden name
sounds wrong. This was the playroom.
There are the photographs. Making masks
from turnips in the candlelight. In case they come.
 
Whoever she was, forever their wide eyes watch her
as she shapes a church and steeple in the air.
She cannot be myself and yet I have a box
of dusty presents to confirm that she was here.
You remember the little things. Telling stories
or pretending to be strong. Mummy’s never wrong.
You open your dead eyes to look in the mirror
which they are holding to your mouth.